What Is an Anime Like the Second Renaissance
| The Animatrix | |
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 Habitation video release poster | |
| Directed by | |
| Written by |
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| Produced past | The Wachowskis |
| Segment producers |
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| Music by | Don Davis |
| Production |
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| Distributed by | Warner Home Video |
| Release date |
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| Running time | 102 minutes [1] |
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The Animatrix (Japanese: アニマトリックス, Hepburn: Animatorikkusu ) is a 2003 adult animated science fiction album film produced by the Wachowskis. [ii] The pic details through nine animated short films the backstory of The Matrix motion picture serial, including the original war between humanity and machines which led to the creation of the titular Matrix, in addition to providing side stories that expand the universe and necktie into the picture show series.
The film received by and large positive reviews from critics.
Plot summary [ edit ]
The 2nd Renaissance Role I [ edit ]
In the mid twenty-first century, humanity falls victim to its vanity and corruption. They develop artificial intelligence, and soon build an entire race of sentient AI robots to serve them. Many of the robots are domestic servants meant to interact with humans, so they are built in "homo's own paradigm" (in a humanoid course). With increasing numbers of people released from all labor, much of the human population has become slothful, conceited, and corrupt. Despite this, the machines were content with serving humanity.
The relationship between humans and machines changes in the year 2090, when a domestic android is threatened by its possessor. The android, named B1-66ER kills its owner, his pets, and a mechanic instructed to deactivate the robot, the first incident of an artificially intelligent machine killing a human being. B1-66ER is arrested and put on trial, but justifies the offense every bit self-defence force, stating that information technology "just did not want to dice". During the trial scene, a voice-over of the defense attorney Clarence Drummond (whose name is a dual reference to Clarence Darrow and Henry Drummond from Inherit the Wind ) quoting a famous line from the Dred Scott v. Sandford case in his closing statement, which implicitly ruled that African Americans were not entitled to citizenship under United States law:
We think they are non, and were not intended to exist included, nether the word 'citizens' in the Constitution, and can therefore claim none of the rights and privileges which that instrument provides for and secures to citizens of the U.s.. On the contrary, they were at that time considered as a subordinate and inferior form of beings... [3]
Using this every bit a precedent, the prosecution argues that machines are non entitled to the same rights as human beings, and that man beings take a right to destroy their holding, while the defense urges the listener not to repeat history, and to judge B1-66ER as a man and not a machine. B1-66ER loses the court case and is destroyed. Across the industrialized world, mass civil disturbances erupt when robots, along with their human supporters and sympathizers, rising in protest. Rioting and protests such every bit The Meg Automobile March unfold beyond the United states and Europe, and the authorities use deadly force against the machines and their human being supporters.
Fearing a robot rebellion, governments beyond the earth launch a mass purge to destroy all robots (and their man sympathizers). Millions of robots and their supporters are destroyed, just the survivors lead a mass exodus to their own new nation in the cradle of civilization, Mesopotamia (specifically, in the open desert). They name their new nation Zero One (a reference to "01", the numerals used in binary annotation). Zero I prospers, and following the concept of the Technological singularity, its technological sophistication increases exponentially. The Machines begin to produce efficient, highly advanced artificial intelligence that finds itself in all facets of global consumer products, which further bolsters the fledgling nation's economy, while the human nations' economies endure severely. Eventually, the entire global industrial base of operations becomes concentrated in Zippo One, leading to a global stock market crash.
The United nations Security Quango calls an emergency elevation at the UN headquarters in New York Urban center to discuss an embargo and military blockade of Zero Ane. Zero I sends two ambassadors to the United nations (which has go the unified world government) to request the admission of their state to the United Nations to peacefully solve the crisis, just their awarding is rejected and the world'southward nations concur to start the occludent of Zero One.
The Second Renaissance Part II [ edit ]
The United Nations dispatch their aircraft to unleash a massive nuclear bombardment on Zip One, devastating the nation simply failing to wipe out the robotic race equally the machines, unlike their former masters, were much less harmed by the radiations and estrus. Shortly after, Zero 1 retaliates by declaring war on the residue of the globe; one by one, mankind surrenders each of its territories.
As the machines advance into Eastern Europe, the desperate homo leaders seek a final solution, codenamed "Operation Dark Storm", which covers the heaven in a shroud of nanites, blocking out the sun to deprive the machines of solar energy, their primary energy source; inevitably, it also initiates a worldwide dearth and total collapse of the biosphere. [4] Operation Nighttime Storm commences as hover pad-powered planes scorched the skies all across the globe, while united armies of humankind launch a massive ground offensive against the machines armed with powerful mech suits, laser beam weapons, EMP-armed cannons and tanks, neutron bombs, and countless rocket artillery.
For a time, the tide of the war swings back in the humans' favor, and many of the older generations of humanoid robots are destroyed. Earlier long, still, the humans' advance stalls, hampered past the fact that Functioning Dark Storm besides took its cost on the attacking homo armies. As the older humanoid robot models perish in the war, the machines gradually remodel themselves to announced more like the insectile, arachnid-like, and cephalopod-like Sentinels of the Matrix films – as the machines now turn down the very image of their onetime masters. As the apocalyptic war drags on, the homo armed services leaders act recklessly by detonating nuclear weapons over their ain forces equally they are overwhelmed by the new models of machines. The machines responded by launching a mass campaign of biological warfare. While the machines had initially suffered an energy shortage later on being cut off from solar power, they eventually developed a revolutionary new grade of fusion - coupled with the activation energy from the bio-electricity of captured humans. The machines start deploying humongous hive-like motherships embedded with captured man POWs, using their bio-electricity to power devastating energy weapons and serve as a power source for the machines. Humanity's wide EMP armory goes offline as their sources of power are utterly exhausted. In total desperation, the remaining human armies prefer guerrilla warfare and close-quarter tactics in social club to avoid being vaporized by the overwhelming barrages of human-powered motorcar fleet. However, this strategy inevitably backfires as the motorcar legions (sentinels and harvesters) were re-programmed to hunt and capture humans at all cost, and and so the last years of the war turn into a vicious hunting frenzy in which the machines brutally subdue and capture humans wherever they are plant. At the same time, the machines brainstorm to construct skyscrapers filled with witting human prisoners as well equally experimenting on the prisoner's mental, behavioral, and psychological faculties whilst as well painfully forcing them into simulated realities. The last of the human resistance succumb to the incurable plagues previously unleashed by the machines.
Gradually overwhelmed, the few remaining human government leaders realize they have no pick simply to surrender or adventure extinction. At the United Nations headquarters, the representative of Zero One signs the terms of give up and states "Your flesh is a relic, a mere vessel. Mitt over your flesh, and a new world awaits you. We need it." Then, the Zero One representative detonates a hidden thermonuclear bomb within itself and destroys the headquarters, New York City, and the last of humanity's leadership.
The machines achieve a total victory, though merely after heavy cost and leaving them masters of a burnt-out husk of a world. With the war ended, they turn to the defeated humans – refining the technology from their bio-electrical tanks to build massive power plants in which humans are substantially turned into living batteries. To continue their prisoners sedated, the machines create the computer-generated virtual reality of the Matrix, feeding the virtual world into the prisoners' brains and erasing the memories of their erstwhile lives, thus the first Matrix paradigm was made.
Plan [ edit ]
Programme follows the protagonist, Cis (Hedy Burress), who is engaged in her favorite training simulation: a battle program set in feudal Japan. Subsequently she successfully eliminates an attacking enemy cavalry while playing equally a samurai woman, a lone, male person samurai appears whom Cis recognizes as Duo (Phil LaMarr).
Initially, the two duel as allies, testing 1 another's fighting abilities. During the class of their duel, Duo briefly disarms Cis. He questions her concentration and wonders whether she regrets taking the Blood-red Pill that took them out of the "peaceful life of the virtual world". They go along fighting until she finally overpowers Duo. Information technology is at this betoken that Duo states that he has something to say and that he has blocked the signal and so that the operator does not heed. She assumes that he wants to advise marriage, simply instead he desires to return to the Matrix and wants Cis to come up with him. When Cis believes he is teasing, Duo says he's serious and states that he has contacted the machines and it is the only style to find peace before it is also late. He urges Cis to return with him, just she refuses. Duo becomes more aggressive in his arguments, saying that he does non care about the truth anymore and how they live their lives is important because what is real does not matter. As Cis becomes incredulous, their battle becomes more serious and forceful and they both end upwardly on a rooftop.
When Duo reiterates that the machines are on their mode, Cis believes he has betrayed the humans and she tries to escape and requests an operator in order to exit the simulation, merely Duo reminds her that no i can hear her. When he offers her to come with him again, she refuses again and Duo, in a flying leap, tries to attack her. As the blade comes towards her, Cis, standing her ground, concentrates and catches the sword and breaks it. She takes the cleaved end of the blade and kills Duo. Duo states his love for her every bit he dies. Suddenly, she wakes from the program and discovers that the encounter with Duo was a test plan devised for training purposes. A man named Kaiser (John DiMaggio) assures her that she acted accordingly during the test and met the test's targets. Clearly upset that Duo wasn't existent, she punches him in the face up and walks away. He remarks that "except from that last part, I'd say she passed."
Cis made her first appearance as an image in The Matrix Revisited.
Globe Record [ edit ]
The start of this brusque includes a cursory narration from the Instructor (implying that this segment is a Zion Archive file) explaining details behind the discovery of the Matrix by "plugged-in" humans. Only exceptional humans tend to go aware of the Matrix, those who accept "a rare degree of intuition, sensitivity, and a questioning nature", all qualities which are used to identify inconsistencies in the Matrix. This is not without exceptions, given that "some attain this wisdom through wholly different ways."
The story is virtually Dan Davis, a rail athlete, who is competing in the 100 m in the Summertime Olympic Games. He has set a earth record time of 8.99 seconds, merely his subsequent gold medal was revoked due to drug use. He decides to compete over again and break his own record to "evidence them incorrect." Despite support from his father and a young reporter, Dan's trainer tells him that he is physically unfit to race and that pushing himself too difficult volition crusade a career-catastrophe injury. Dan is adamant on racing.
On the day of the race, he is monitored by iv Agents in the stadium. The race begins and Dan starts off strong. Yet, the muscles in his leg violently rupture, putting him at a setback and scaring many of the people in the stands. Through strong willpower, Dan ignores the injury and runs much faster than he did before, hands passing the other athletes. Earlier he tin cantankerous the stop line, the Agents detect that his "signal" is getting unstable in the Matrix due to his massive burst of energy. Iii of the agents possess the three closest runners and try to stop him, merely are unable to catch up to him.
The burst of free energy causes Dan to be unplugged from the Matrix and wake up in his ability-station pod, where he sees the existent world through his pod. A Sentinel employs electrical restraints to secure him dorsum in his pod. Dan'south mind is thrown back into the Matrix, where his body is instantly exhausted from the race and Dan tumbles to the ground at high speed. Despite this, he easily wins the race and breaks his original time of eight.99 seconds with a time of 8.72 seconds. The next scene shows a bedridden Dan being wheeled through a hospital. A nearby Amanuensis calls his other agents to tell them that they erased Dan's memory of the race and that he will never walk once more, nor be an issue for them. However, Dan whispers the discussion "Free", angering the amanuensis. Dan then stands, breaking the metal screws that bind his restraints to his wheelchair, and takes a few steps earlier falling downwards and being helped up past a nurse.
Kid'south Story [ edit ]
Kid's Story is the only one of the animated shorts contained in The Animatrix in which Neo (Keanu Reeves) appears. The story takes place during the six-calendar month gap betwixt The Matrix and The Matrix Reloaded, where Neo has joined the crew of the Nebuchadnezzar and is helping the rebels free other humans from the Matrix. Kid (Clayton Watson), who was formerly known every bit Michael Karl Popper, is a disaffected teenager who feels there is something wrong with the world. One nighttime, the Kid goes on his reckoner and onto a hacker chat room on the Internet, request why it feels more real when he's dreaming than when he's awake. He gets a response from an unknown person (presumably Neo) and then he asks who it is and if he is alone.
The next 24-hour interval, he is at schoolhouse, where he absent-mindedly scribbles Neo and Trinity'southward name and writes "become me out of here" in his notebook. He receives a telephone call from Neo on his cell phone, who warns him that a grouping of Agents is coming for him and he gets chased throughout the high school, before ultimately getting cornered on the roof. He asserts his organized religion in Neo and throws himself off the roof. At the Kid's funeral, amidst the people is his teacher, who converses with another school staff member and says that the world they alive in is not real and the real world is somewhere else. He also says that reality tin can be scary and the world must have been a harmful place for the Kid and he is now in a better earth.
The next scene fades out every bit the Child awakens in the real world to see Neo and Trinity (Carrie-Anne Moss) watching over him. They remark that he has achieved "self substantiation" (removing oneself from the Matrix without external aid), which was considered incommunicable. In both the scene and The Matrix Reloaded , the Kid believes that it was Neo who saved him, but Neo says that he saved himself. The last scene shows the Kid's final question on the hacker chat room beingness answered with "Y'all are not alone."
Beyond [ edit ]
Beyond follows a teenage girl, Yoko (Hedy Burress), looking for her cat Yuki. While request effectually the neighborhood, which is somewhere in Mega City that resembles Nippon, she meets a grouping of young boys. One of them tells her that Yuki is within a nearby haunted house where they usually play.
The haunted firm is an old run-down building filled with an amalgamation of anomalies, which are revealed to be glitches in the Matrix, that the children take stumbled across. They take learned to exploit them for their own enjoyment, through several areas which seem to defy real-world physics. The boys play with glass bottles that reassemble after beingness shattered and they go into a large open space in the middle of the building that has a null gravity upshot. Meanwhile, as Yoko searches for Yuki throughout the building, she encounters some anomalies on her own. She goes through an area where broken lightbulbs flicker briefly (during which they seem intact), walks into a room where rain is falling from a sunny sky and goes down a hallway where a gust of wind appears and disappears. She finally finds Yuki exterior on a concrete pavement where she sees shadows that do not marshal with their physical origins. Yoko and then joins the boys in the open space, where she sees a pigeon feather rotating quickly in mid-air and experiences the zero gravity as she falls to the ground slowly and safely. She and the boys start using the cypher gravity force to bladder, jump high and do athletic stunts all in mid-air and tin besides land and autumn without hitting the basis hard. Despite the inherent strangeness of the identify, the group is not bothered as they enjoy themselves and the mysterious anomaly that proves to be agreeable.
Throughout the moving picture, brief sequences prove that Agents are aware of the problem in the Matrix, and a truck is seen driving toward the site to presumably deal with the problem. It arrives but as the children are having trouble with a large group of rats and an Agent-led team of rodent exterminators emerges from the truck. In the edifice, when Yoko finds a missing Yuki again, she sees i last anomaly where she opens a door that leads into an endless night void before existence found by the exterminators. The team clears everybody out of the building. The story ends when Yoko returns to the area the adjacent day and finds the site turned into an unremarkable parking lot. She sees the boys unsuccessfully attempting to recreate the bizarre occurrences of the day before and going in search of something else to do.
A Detective Story [ edit ]
Set in a dystopian time to come, [5] the story follows a private detective, Ash (James Arnold Taylor), who dreamed of following the steps of hard-boiled characters Sam Spade and Philip Marlowe just is a downwards-on-his-luck detective. Ane 24-hour interval, he receives an anonymous phone call to search for a hacker going by the allonym "Trinity" (Carrie-Anne Moss). Ash starts looking for Trinity and learns that other detectives have failed in the same chore before him; one committed suicide, one went missing, and one went insane.
Eventually, Ash finds Trinity after deducing that he should communicate using phrases and facts from Lewis Carroll's Alice's Adventures in Wonderland . She proposes a meeting and he finds her on a passenger train. When he meets her, she removes a "problems" from his centre, planted by Agents earlier in an "eye exam," which Ash previously thought was a dream. Three Agents appear and endeavor to auscultate Trinity in a shoot-out with her and Ash. While the two are trying to escape, an Agent attempts to take over Ash'due south body, forcing Trinity to shoot him in guild to prevent the Agent from appearing. Ash is wounded, whereupon he and Trinity amicably bid farewell. Trinity tells Ash that she thinks he could take handled the truth as she jumps out of a window and escapes. The Agents enter the car to find Ash, who points his gun at them while looking in the other management and lighting a cigarette. The Agents turn to Ash who, even though he is armed, will probable dice. With this credible no-win situation, the film ends with Ash's line, "A case to stop all cases," as his lighter flame goes out.
Matriculated [ edit ]
The flick deals with a grouping of to a higher place-ground human rebels who lure hostile machines to their laboratory in order to capture them and insert them into a "matrix" of their own design. Inside this matrix, the humans attempt to teach the captured machines some of the positive traits of humanity, primarily pity and empathy. The rebels' hope is that, one time converted of its own volition (a primal point discussed in the film), an "aware" motorcar volition assist Zion in its struggle against the car-controlled totalitarianism which currently dominates the Earth.
The film starts with a human adult female Alexa (Melinda Clarke) looking out over the sea, watching for incoming machines, where she sees two "runners," one of the most intelligent robots, budgeted. She leads them into the laboratory, where one runner gets killed past a reprogramed robot, but the second runner kills the robot before Alexa electrocutes it. The rebels insert the runner into their matrix. The robot experiences moments of mystery, horror, wonder and excitement, leading information technology to believe it may have an emotional bond with Alexa.
However, the laboratory is attacked by Scout reinforcements. The rebels unplug themselves to defend their headquarters, along with the help of other captured machines (indicated by the machine's mechanical optics changing from crimson to greenish). Alexa unplugs the runner that has now turned good, where it saves her from a machine. The rebels and the attacking machines are all killed or destroyed, except for the runner. The robot plugs the dying Alexa and itself into the rebels' matrix. When Alexa realizes that she is trapped inside of the matrix with the runner, she is horrified and her avatar screams and dissolves every bit the runner exits from the rebels' matrix to see a dead Alexa in front end of him in the real world.
The film ends with the "converted" runner standing outside, looking out over the sea, in a replica of the opening shot with Alexa.
Concluding Flight of the Osiris [ edit ]
Captain Thadeus (Kevin Michael Richardson) and Jue (Pamela Adlon) appoint in a blindfolded sword fight in a virtual reality dojo. With each slice of their swords, they remove some other role of each other'southward wearable. Immediately afterwards cut the other downward to their underwear, they lift their blindfolds to peek at the other. Every bit the two are near to osculation, they are interrupted by an alarm and the simulation ends.
In the next scene, the hovercraft Osiris heads for Junction 21 when operator Robbie (Tom Kenny) discovers an ground forces of Sentinels on his Hr scans. The transport flees into an uncharted tunnel, where information technology encounters a minor group of Sentinels patrolling the surface area. The crew members homo the onboard guns and destroy the patrol. The send emerges on the surface, 4 kilometers direct above Zion and close to the Sentinel regular army. Thadeus and Jue run into that the Machines are using gigantic drills to tunnel their manner down to Zion. The Scout army detects the Osiris and pursues the transport.
Thadeus says that Zion must be warned, and Jue volunteers to broadcast herself into the Matrix to evangelize the alarm while the ship is adamantly pursued. Knowing that they are non going to make it, Thadeus and Jue admit to each other about peeking in the simulation before kissing adieu. Entering the Matrix, Jue eventually reaches a postal service box where she drops off a package; this sets the prologue for the video game Enter the Matrix . She attempts to contact Thadeus via cell phone as the Osiris is overrun by Sentinels and crashes. The Sentinels tear their way into the ship, where Thadeus makes a concluding stand against the Sentinels. Shortly later on Jue says "Thadeus" over her jail cell telephone, the Osiris explodes, destroying many of the Sentinels and killing the coiffure. In the Matrix, Jue falls expressionless to the ground, due to her body beingness destroyed on the ship.
Credits [ edit ]
Bandage [ edit ]
Staff [ edit ]
| Office | Person | |
|---|---|---|
| The 2nd Renaissance | ||
| Manager | Mahiro Maeda | |
| Author | ||
| Story | The Wachowskis | |
| Studio | Studio iv°C | |
| Program | ||
| Director | Yoshiaki Kawajiri | |
| Writer | ||
| Studio | Madhouse | |
| World Tape | ||
| Managing director | Takeshi Koike | |
| Writer | Yoshiaki Kawajiri | |
| Studio | Madhouse | |
| Kid's Story | ||
| Managing director | Shinichirō Watanabe | |
| Writer | ||
| Story | The Wachowskis | |
| Studio | Studio iv °C | |
| Across | ||
| Director | Kōji Morimoto | |
| Author | ||
| Studio | Studio 4 °C | |
| A Detective Story | ||
| Manager | Shinichirō Watanabe | |
| Writer | ||
| Studio | Studio iv °C | |
| Matriculated | ||
| Director | Peter Chung | |
| Writer | ||
| Studio | DNA Productions | |
| Final Flight of the Osiris | ||
| Managing director | Andy Jones | |
| Writer | The Wachowskis | |
| Editor | Christopher S. Capp | |
| Studio | Foursquare United states | |
Product [ edit ]
Development of the Animatrix project began when the motion picture serial' writers and directors, The Wachowskis, were in Japan promoting the first Matrix film. While in the country, they visited some of the creators of the anime films that had been a strong influence on their work, and decided to interact with them. [6]
The Animatrix was conceived and overseen past the Wachowskis, simply they simply wrote four of the segments themselves and did not direct any of their blitheness; most of the project's technical side was overseen by notable figures from the world of Japanese animation.
The English language version of The Animatrix was directed by Jack Fletcher, who brought on board the project the voice actors who provided the voices for the English version of Foursquare'due south Concluding Fantasy 10 , including Matt McKenzie, James Arnold Taylor, John DiMaggio, Tara Strong, Hedy Burress, and Dwight Schultz. The English version also features the voices of Victor Williams, Melinda Clarke, Olivia d'Abo, Pamela Adlon, and Kevin Michael Richardson.
The characters Neo, Trinity, and Child as well announced, with their voices provided past their original actors, Keanu Reeves, Carrie-Anne Moss, and Clayton Watson.
Music [ edit ]
The soundtrack was composed by Don Davis. Several electronic music artists are featured, including Juno Reactor and Adam Freeland.
Release [ edit ]
4 of the films were originally released on the series' official website; one (Final Flight of the Osiris) was shown in cinemas with the film Dreamcatcher . [vii] The others starting time appeared with the VHS and DVD release of all nine shorts on June 3, 2003. The DVD also includes the following special features:
- A documentary on Japanese animation. The on-screen title is Scrolls to Screen: A Brief History of Anime, but in the DVD menu and packaging, and on the series' official website, it is referred to every bit Scrolls to Screen: The History and Civilization of Anime.
- 7 featurettes with manager profiles, interviews, and backside-the-scenes footage of each of the films.
- Audio commentaries on World Record, Plan, and both parts of The Second Renaissance.
- A trailer for the video game Enter the Matrix .
Shortly later the abode video release, the motion-picture show was exhibited on June 14, 2003, in New York Urban center at the New York-Tokyo Picture Festival [8]
Information technology was broadcast on Adult Swim on April 17, 2004 (to promote the DVD release of The Matrix: Revolutions ) and again on its Toonami programming block on December xix, 2022 (to promote The Matrix: Resurrections ) (admitting with edits washed to remove nudity and gory violence in The Second Renaissance, parts I and 2), and has received airplay on Teletoon several months after its American broadcast. In the UK, Final Flight of the Osiris was broadcast on Channel 5 but before the DVD release, forth with The Second Renaissance Parts 1 and 2, Child's Story and World Record broadcast later on the DVD release.[ citation needed ]
In May 2006, The Animatrix was aired in Latin America and in Spain by Cartoon Network on Toonami.[ commendation needed ]
The Animatrix was too screened in select cinemas around the world for a short menstruation of time, a week or two before the sequel The Matrix Reloaded , as a promotional event.[ citation needed ]
One day before the release of The Matrix Reloaded on cinemas, the Brazilian telly channel SBT aired Final Flight of the Osiris after airing The Matrix to promote the film. The same thing happened with French tv channel French republic 2.[ commendation needed ]
The movie house release club for The Animatrix (at least in Australia), and its sequencing in a subsequent release on HBO Max, differed from the DVD release, placing the Final Flight of the Osiris last instead of offset. The movie house release-guild:
- The Second Renaissance, Part I (June 3, 2003)
- The Second Renaissance, Function Ii (June 7, 2003)
- Child's Story (June 14, 2003)
- Programme (June 21, 2003)
- World Tape (July v, 2003)
- Beyond (July 12, 2003)
- A Detective Story (Baronial 30, 2003)
- Matriculated (September 20, 2003)
- Final Flight of the Osiris (September 27, 2003)[ citation needed ]
To coincide with the Blu-ray edition of The Ultimate Matrix Collection, The Animatrix was likewise presented for the first time in high definition. The flick was released forth with the trilogy on Oct 14, 2008.[ citation needed ]
Reception [ edit ]
The Animatrix sold two.7one thousand thousand copies, grossing $68 million in sales revenue. [ix]
The Animatrix received more often than not positive reviews from critics. On Rotten Tomatoes, it has an approval rating of 89%, based on reviews from eighteen critics. [x] Helen McCarthy in 500 Essential Anime Movies stated that "unlike many heavily promoted franchise movies, it justifies its hype". She praised Maeda's 2nd Renaissance, noting that it "foreshadows the dazzling visual inventiveness of his later Gankutsuou ". [11]
Notes and references [ edit ]
- ^ Credited as Larry and Andy Wachowski.
- ^ "THE ANIMATRIX (15)". British Board of Picture show Nomenclature . June 5, 2003. Retrieved May 18, 2022.
- ^ Lenburg, Jeff (2009). The Encyclopedia of Animated Cartoons (tertiary ed.). New York: Checkmark Books. p. 256. ISBN 978-0-8160-6600-1 .
- ^ This is a quotation from Dred Scott v. Sandford , spoken past the defence at the trial of B1-66ER in Role I.
- ^ Maeda confirms the references to Eastern Europe and that Dark Storm is a nanite cloud in the DVD commentary.
- ^ Ranking Every The Matrix Brusk In The Animatrix. Screenrant.com (September eighteen, 2022). Retrieved on August 28, 2022.
- ^ "What is The Animatrix?" characteristic on The Matrix Revisited DVD.
- ^ Boyle, Alan (March 26, 2003). "Short films flesh out 'Matrix' saga". NBC News . Retrieved July 23, 2022.
- ^ "Archived copy". Archived from the original on February 19, 2008. Retrieved Feb four, 2008.
{{cite web}}: CS1 maint: archived copy as championship (link) - ^ Caster, Brett (November 10, 2003). "Cliff-Hanger". Forbes . Retrieved May v, 2017.
- ^ "The Animatrix (2003)". Rotten Tomatoes .
- ^ McCarthy, Helen. 500 Essential Anime Movies: The Ultimate Guide. — Harper Design, 2009. — P. 40. — 528 p. — ISBN978-0061474507
External links [ edit ]
- The Animatrix at IMDb
- The Animatrix (anime) at Anime News Network's encyclopedia
What Is an Anime Like the Second Renaissance
Source: https://en.wikipedia.org/wiki/The_Animatrix
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